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Fred Astaire (Icons of America), by Joseph Epstein
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Joseph Epstein’s Fred Astaire investigates the great dancer’s magical talent, taking up the story of his life, his personality, his work habits, his modest pretensions, and above all his accomplishments. Written with the wit and grace the subject deserves, Fred Astaire provides a remarkable portrait of this extraordinary artist and how he came to embody for Americans a fantasy of easy elegance and, paradoxically, of democratic aristocracy.
Tracing Astaire’s life from his birth in Omaha to his death in his late eighties in Hollywood, the book discusses his early days with his talented and outspoken sister Adele, his gifts as a singer (Irving Berlin, George Gershwin, and Jerome Kern all delighted in composing for Astaire), and his many movie dance partners, among them Cyd Charisse, Rita Hayworth, Eleanor Powell, and Betty Hutton. A key chapter of the book is devoted to Astaire’s somewhat unwilling partnership with Ginger Rogers, the woman with whom he danced most dazzlingly. What emerges from these pages is a fascinating view of an American era, seen through the accomplishments of Fred Astaire, an unassuming but uncompromising performer who transformed entertainment into art and gave America a new yet enduring standard for style.
- Sales Rank: #1668054 in Books
- Published on: 2008-10-21
- Original language: English
- Number of items: 1
- Dimensions: .84" h x 5.86" w x 8.48" l, .92 pounds
- Binding: Hardcover
- 224 pages
- Joseph Epstein
- dancers
- Actors & Entertainers
From Publishers Weekly
The life of legendary dancer, singer and actor Fred Astaire has been chronicled before, but here, author Epstein (Snobbery:The American Version) brings a winning populist awe to his biographic probe of the movie star's time-tested magic. Epstein's honest intentions do little to mask his admiration and fascination with the icon, but it proves contagious as he gallops through Astaire's early life in turn-of-the-century Nebraska and first career steps as a sidekick to sister Adele in New York vaudeville. Despite apocryphal tales of a less-than-favorable RKO screen test ("Balding. Can't sing. Dances a little."), studio head David O. Selznick thought Astaire "a really sensational bet," and gave the performer his first Hollywood break. Epstein explores Astaire's star-making but personally disagreeable pairing with Ginger Rogers, and the better-liked partners who followed (Rita Hayworth, Judy Garland, Audrey Hepburn and others); defensively recounts Astaire's tight-lipped relationship with the media (which led many to suggest he was just dull); and celebrates the performer's earnest and dedicated spirit. Though Epstein's witty asides can great, his conversational tone keeps the life story moving, making this a good, quick read for even casual fans.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Essayist and fiction writer Epstein (Snobbery: The American Version; Fabulous Small Jews: Stories) turns his discerning gaze to the legendary dancer and star Fred Astaire. Although he presents general biographical details, Epstein's chief concern is with Astaire the artist, and he thoroughly scrutinizes all aspects of his talent. Epstein devotes attention to every facet of the Astaire image, discussing at length his physical characteristics and unique sense of style. He also spends a good portion of the book addressing Astaire's dancing partners and the varying success of each. Most biographies tend to focus on the sensational details of the life lived; Epstein, however, places the magic of Astaire's art front and center, which results in an astute and ardent examination. The author's passion for his subject makes this an engaging read, even for those with only cursory knowledge of Astaire. Essential for all dance collections and recommended for all performing arts collections in universities and large public libraries.—Katherine Litwin, Chicago
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
A veteran writer, Joseph Epstein comments ably on the career and the legend of Fred Astaire, but he's hamstrung by a problem that rarely arises in entertainment today: regarding Astaire and salacious details, stories of infidelity and reckless behavior, there's no dishy information (or, as the critic for the New York Times Book Review astutely points out, "Astaire is never going to be ‚Äòrescued' for a trashy age by the revelation of a sordid private life"). But Epstein's subtle passion for his subject and a keen eye for the details of Astaire's quest for perfection accomplish just what the author sets out to do—to trace the genius and the sublime talent that continue, more than 70 years after his heyday, to fuel our fascination with Fred Astaire.Copyright 2008 Bookmarks Publishing LLC
Most helpful customer reviews
4 of 4 people found the following review helpful.
Flawed Compendium
By R. Bono
This is a generally light weight survey, mostly of the much more insightful writings of others on the creative life of Fred Astaire. As such, it retains a certain appeal, except that the author's vision is occasionally flawed or incomplete, or both.
Take for example the oft repeated untruth the Astaire and Rogers didn't like each other very much. Of course, they were two very different individuals, with different visions of their own careers. But to repeat the lie that they didn't like each other is flatly false. It's a lie which they both strongly disputed and which Hermes Pan, who was right there, emphatically debunked.
In a related case, Epstein accepts as gospel, the story concocted by RKO's front office to explain the end of the series, on the basis of a decline of popularity. In fact, their popularity never declined but, due to higher production costs, it was RKO's profits which declined. For public consumption, management didn't want to explain it this way, so they conceived their new story. Epstein, without exploration, takes the position of RKO.
Finally, in his conclusions, he strongly implies, through the words others, that Astaire was more purely a technician; short on the creativity end, crediting, without analysis, Gene Kelly for the seamless continuity of dance and plot. The truth is that Kelly just carried further, what Astaire had innovated. And, in fact, some have convincingly demonstrated, the result of super continuity, makes for a more boring, less dramatically successful result, as it thwarts anticipation of the dance, inherent in any Astaire Rogers film. It was Astaire, not Kelly who was prior to, and led the revolution in how dance was to be filmed. In fact, he created most the cinemagraphic techniques which Kelly employed.
And, in regard to dance itself, it was Astaire, after all, who prided himself on never repeating himself, with such extraordinary creativity though 30 some odd films. It was Balanchine who said that there was "so much dance in him", that he had to distill it. Thirty films is a lot of distillation. In short, Astaire was as peerless in these categories, as he was in the categories of style and technique, upon which Epstein focuses.
The author is too often, sloppy, incomplete, and without new insight. In the end, he has written a insidiously flawed book, which as it informs, also misleads.
0 of 0 people found the following review helpful.
For those who loved Astaire and Rogers
By D. J. Singer
For those who loved Astaire and Rogers, this is a wonderful book well written by Mr. Epstein. I loved it.
0 of 0 people found the following review helpful.
Five Stars
By JARPUB
great book
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